When I first acquired my Brannen-Cooper flute, I had the expectation of using it for only five years before selling it, however I've been playing it for more than five years now. Although there have been some ups and downs over the years, I am happy with my decision to stick with it.
Prior to my current Brannen flute, I had two other flutes. My parents got me a platinum-plated Muramatsu flute when I became serious about playing the instrument. I used this flute for my middle school and high school entrance exams, as well as my college auditions. Even after I enrolled at Oberlin, I continued to use this flute. In middle school, I also acquired a gold Salvatore Faulisi head joint for it.
During one summer in Korea, I brought my Muramatsu flute to a repair shop, and my repair professional lent me a 1989 Silver Powell flute (with an additional silver Altus head joint) while my Muramatsu was being fixed. I played the Powell for a few days and fell in love with it. The Powell flute was a lightweight silver flute that produced a sweet tone as soon as I blew into it. So, I decided to buy it when I went to collect my Muramatsu.
For a few years I used the Powell flute with the Faulisi head joint. It was a great combination that resulted in a focused and pure tone.
My playing style has changed significantly over the past few years. Each flute, like Muramatsu, Powell, Faulisi, and Altus, have its own unique feel, and after much time playing the Brannen-Cooper, I have grown accustomed to its sound.
Summary of the flutes I have used.
Muramatsu PTP (2002–2008)
+ Faulisi 14K
Powell Sterling Silver (2008–2013; 2015–and from time to time)
+ Altus 958
+ Faulisi 14K
+ Lafin 14K
Brannen-Cooper 14K (2013–present)
+ Lafin 14K