music

Music that Transports Me

Being a person who may not have played much music, I've always been an avid listener. In fact, I'm one of those people who needs to have music playing at all times. Even when I'm sleeping, I sometimes like to have music on in the background, in the hope that it will seep into my dreams. My obsession for music is somewhat eccentric that I don't find in many other people I know. But for me, music has a unique ability to transport me to another world.

Spring is almost here, and I have a few go-to songs that I always listen to around this time of year. I used to think I liked winter, but over the past few years, I've come to realize that I don't enjoy it nearly as much as I thought. While I used to enjoy the crisp air and other winter sensations, I'm much more excited about the arrival of spring these days. February is always a tough month for me. Even though it's the shortest month of the year, it always seems to drag on forever. It feels like I'm stuck in a dark tunnel, just waiting for a light to appear at the end. To help me through this tough time, I rely on music that reminds me of spring.

One of my favorite pieces of music to listen to when I want to feel like it's spring is Schubert's “Im Frühling.” The title itself suggests that the piece is about spring, and it takes me back to the early spring of 2010, when all my worries and concerns were limited to life on campus. I first heard this piece in a music theory class led by a passionate teacher, who helped me appreciate every word and chord. As I listened to the music, I looked outside and saw the peaceful grass and trees in Tappan Square. I felt that happiness was within reach.

The same piece also evokes memories of a more recent phase of my life when I used to regularly take the Brooklyn-bound morning subway D line. As the train passed the Manhattan Bridge, the surrounding was serene and empty, and I savored watching the sunrise. Whenever I listen to “Im Frühling," it takes me back to these specific instances in my life, and I feel a sense of tranquility and attachment to the spring season.

One album that holds a special place in my heart is “Close to the Edge” by Yes. It's my favorite album of all time, and if I were stranded on a deserted island and could only bring one album, it would be this one. Although I stopped listening to it for a while because I was afraid it might lose its special quality, I recently found a used LP in Seattle and am now enjoying it again with a fresh perspective. I first discovered this album when some friends and I borrowed our music theory teacher's car to visit a friend in the hospital on a beautiful, sunny day in May 2012. We were curious about what our teacher listened to when he was in the car, so we played the audio system and discovered that he had been listening to “Close to the Edge.” At the time, all my worries and concerns were confined to college, and I had mixed feelings about the future since it was only a couple of weeks before graduation. I just wanted to savor the moment before it was gone.

Starting from the latter part of 2012 and throughout 2013, I became heavily invested in the realm of progressive rock, yet struggled to discover an album that surpassed my fondness for "Close to the Edge." This was during my time in New York City, where I was freshly situated and eager for future prospects. Wherever I went in the city - whether it was a leisurely stroll around the block, riding the bus to school, commuting via subway to the Metropolitan Museum, running errands to an art store in SoHo, or even when simply socializing with my roommate over drinks - this album accompanied me.

For me, music is much more than just a series of sounds and harmonies. It's a tool I use to temporarily forget about my worries and concerns, to revisit old memories, and to find peace and happiness.

November of 2021 Playlist

I have been driving a lot this month. I wanted to create a playlist of songs I enjoy listening to when I am on the road. I will later go through some of the complete albums I enjoy listening to as well. But HERE is the list that I am enjoying while driving.

P.S. I have tickets to Eric Nam’s NYC concert in February. So there will be more of his stuff in the December playlist … just saying.

be \ EUNHYUK

100% \ An Bokjin

SUPERSiNGLE \ SOHLHEE

I Don’t Know You Anymore \ Eric Nam

Snoopy \ An Bokjin

freakin’ flower \ SOHLHEE

You Don’t Know Me \ Yumin

Loop \ An Bokjin

Red Muhly \ EUNHYUK

CHEESE \ PARK JI HOON

once, twice \ SOHLHEE

October of 2021 Playlist (Music on the go)

I’ve been very grateful this month. I travelled a lot for performing and reuniting with friends. I created this list and constantly adjusted while I was on trains, cars, airplanes, PATH, subway, buses, etc. So I named the playlist, “Music on the go.” You can access the playlist HERE.

YOGIJOGI \ SUMIN & slom

31 \ Cheeze & Stella Jang

SSFW \ CHANYEOL

Cold \ Lee Han Chul

겨울을 걷는다 \ Yun DDan DDan

Perhaps Love \ Cheeze & Eric Nam

How Do You Think \ Cheeze

Let’s Go Home \ Stella Jang

Out of the Blue (with Song Hee Jin) \ DOWOON

Zanchi \ Band Nah

September of 2021 Playlist (Midday)

September is here. HERE is one of the playlists. This month I am sharing the Midday playlist.

For this month’s Midday Playlist, I included both upbeat and calm songs, just because why not? I decided that I will mix it up. I am in Korea for the whole month. I have time to broaden my musical horizon, so I am not limiting myself to certain mood or atmosphere.

Do share your playlists with me!

ICE T \ YOUHA

I’m Into You (with KIRIN, Dala & Jungu) \ Park Moonchi

Amigo (feat. BabySoul) \ Kwon Eun Bi

Shut up, I love you (Korean version) \ Yang Joon Il

Cant’t Fall In Love \ Xydo

Remember \ PARK JI HOON

We’re Cool (with PARKMOONCHI UNIVERSE) \ Park Moonchi

Count On Me \ JAY B

Knock (feat. Park Moonchi) \ Kwon Jin Ah

You Stare Vacantly Into Space (feat. Lee Chanju) \ 수잔 (Susan)

JUDDY \ JuanKim Trio & Friends

July of 2021 Playlist

Hello, August. My summer has been so far busy and exciting! I was invited to Kingston Chamber Music Festival, and performed Nino Rota’s Trio for flute, violin and piano. My performance from last December with Astral was live broadcasted on WQXR New York. I did a recording of Viet Cuong’s Fine Lines with Music from Copland House. I got to see lots of old friends coming through the New York area, went to 10 different furniture shops to search for sectionals, sofas, couches, etc, won the lottery for Shakespeare in the Park, and moved to a new place!

During that busy month, music really calmed me down, and helped me go through all of them. Today, I would like to share them with you.

Nino Rota, Trio for flute, violin and pianoThis is the piece I played at Kingston Chamber Music Festival. This is a very fun piece to play and listen to. I am so happy that I got to play this hidden masterpiece

Nino Rota, Trio for flute, violin and piano

This is the piece I played at Kingston Chamber Music Festival. This is a very fun piece to play and listen to. I am so happy that I got to play this hidden masterpiece

Weber, Sonata in A flat major. This piece is originally written for the solo piano, but I have heard it on the flute and piano more. I am thinking about programming this exciting piece for a December Astral Recital in Philadelphia.

Weber, Sonata in A flat major. This piece is originally written for the solo piano, but I have heard it on the flute and piano more. I am thinking about programming this exciting piece for a December Astral Recital in Philadelphia.

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Enjoy!

January of 2021 Playlist

Hello world,

1.1:

It’s been crazy busy! Packing and moving are happening in the middle of the global pandemic. My anxiety level is going up for unforeseen and unexpected matters such as the moving element itself, arranging movers, and etc.

1.2:

The music of Beethoven has been soothing during this personally and globally anxious time. I have been listening to the 1st Piano Concerto from the beginning of the month. I shared a post about what I was listening exactly a year ago on my blog: Click here to read. One year ago, I surely listened to a lot of Bach, and that taste came back in December when a friend of mine recommended a few cantatas by Bach. [I enjoyed watching live recordings of them on the Netherlands Bach Society’s YouTube Channel]

1.3:

I always loved listening to this album particularly because of Zimerman’s poetic and dreamy interpretation.

Anyway … another reason I started listening to the Beethoven Piano Concerto No. 1 is that Krystian Zimerman’s recording came out. Growing up, I obsessively listened to his recordings of Chopin’s Ballads, Liszt’s Sonata, Debussy’s Preludes, Brahms’ Concerti, and Beethoven’s Concerti.

… and his new Beethoven’s Piano Concerto No. 1 came out. Later this year, the whole complete set will come out … !

2.1:

I went down the rabbit hole of the first concerto. I did not do much research on the piece, but I found out who else recorded the piece. I found a few favorite ones, and I would love to share them with you all.

  • Alfred Brendel / Sir Simon Rattle / Wiener Philharmoniker

  • Alfred Brendel / James Levine / Chicago Symphony Orchestra

  • Mitsuko Uchida / Sir Simon Rattle / Berliner Philharmoniker

  • Mitsuko Uchida / Kurt Sanderling / Symphonieorchester des Bayerischen Rundfunks

  • Alicia de Larrocha / Riccardo Chailly / RSO Berlin

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3.1:

Do check out Zimerman’s older recording of the same piece. He is playing and conducting, which brings more “chamber-music-like” feel to the piece. There’s also a video version in addition to the audio only, so do enjoy!

What else? What more?

Things have gotten slow. At least in the music world, things are still slow. It’s so slow that there seems to be no movement what-so-ever. Friends and colleagues are considering different career paths. I understand the frustration because I also thought about a series of different career paths.

I started thinking about what I enjoy doing, what I could do, what I should do … etc. The answer is always going back to the music. Both fortunately and unfortunately given the circumstances, music is a destined career path for me. I picked a lifestyle and a career as a musician––a professional one. It has been rewarding because it is not an easy path to follow. From time to time, I sometimes doubt my decision. But music always comes back to me (or I always go back to music). Music is a way that I can express and interpret human emotions; the best way that I know.

How do I love my strong relationship with music even more? Where does my art stand in this dystopian world? How do I enjoy this rollercoaster ride despite everything?  How did my passion start, and where is it heading now? 

The answer is … I don’t know. The answer may or may not come to me. Enjoy the present … that may be the answer, and that might be the answer. But I also know that once a passion turns into work, then the magic disappears. It is no longer love. It is an obligation. So what do I do?

Entering the Week of Brahms Symphonies

In search of lost inspiration, I have been listening to numerous recordings. I started my musical pilgrimage with the Beethoven symphonies conducted by George Szell, Otto Klemperer, Bruno Walter and Wilhelm Furtwängler. As you can tell, I am a big fan of older recordings. I find that the style of playing is greatly audacious, yet hardly pretentious. Not to be missed, the extremely crisp articulation is also an “ear opener,” especially the ones by Szell and Walter. As I was surveying the symphonic music of Beethoven, my musical curiosity led me into the symphonic music of Johannes Brahms; especially the symphonies.

I was so lucky to perform Brahms’s Second Symphony last summer at a music festival. Without this experience, I wouldn’t have had an opportunity to closely listen to this masterwork. It is quite embarrassing to say that I had not listened to Brahms’s Second Symphony until last summer — more precisely, I didn’t pay a close attention before. While learning the piece, I probably listened to 5 to 6 different recordings; eventually I ended up with Daniel Barenboim’s live recording with the Staatskappelle Berlin. Something about this recording brings me joy every time I listen to it: the rich expression and the well resonating orchestral sound, but without any musical sacrifice in execution. Especially in the final movement, the driving force towards the end is quite spectacular. I would have stood up and started clapping if I were listening to this in person. 

Since I am obsessed with discovering hidden gems from the 20th century, I began my Brahmsian journey with older recordings. I started with Carlos Kleiber’s legendary recording of the Fourth Symphony with Wiener Philharmoniker. Several friends have recommended me this album; and I finally listened to this. I have acquired this CD from a library giveaway years ago, and it finally had its moment to shine again. This has quickly become my go-to Brahms 4 recording. Everything is so well balanced ... so well balanced that I was reminded by a story from my childhood: The Three Bears, where a girl named Goldilocks tastes three different bowls of porridge and finds that she prefers porridge that is neither too hot nor too cold, but has just the right temperature. My listening experience of this album was so satisfying — felt like climbing up the mountain of a higher art form. I know this can be a very controversial statement because everyone could have a very different musical experience to mine, and also what I musically believe is not absolute. Tastes, furthermore, tend to change over time. But at least for now, I have been enjoying listening to Kleiber’s recording very much. 

Years ago, I heard Charles Münch’s recording of the First Symphony with the Orchestre de Paris. I don’t know if this would be a good description; I felt like hearing a roaring lion with charisma and dignity. Having this fond recollection of Münch’s interpretation in my mind, I inserted the recording of the Second and Fourth Symphonies with the Boston Symphony Orchestra to my stereo. I definitely hear “the roaring lion” in this album as well, even though the two orchestras have very different styles of playing. If the Orchestre de Paris’s approach has down-to-earth honesty, the Boston Symphony’s take has edge-of-seat crispness. While listening to the BSO recording, I started wondering if two totally different concepts can co-exist. As far as I can verbally express Brahms’s music, I personally think his music brings out the feeling of nostalgia and longing from the deepest part of my heart. In addition to the nostalgic feelings, I sense joyful passion. I find that these two concepts are on the opposite sides of emotional spectrum, but somehow there’s an invisible string holding them together. (opposite concepts in words; e.g. joyful tear or bittersweetness) 

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I hope that you enjoyed reading my own experience of entering the week of Brahms Symphonies. I’ve included below a list of some of my favorite Brahms Symphony recordings. I sincerely wish that you can also find the joy of appreciating the Brahms Symphonies as I do. 

Recommendations:

Complete Symphonies: 

Sergiu Celibidache and Münchener Philharmoniker

Carlo Maria Giulini and Wiener Philharmoniker

Marek Janowski and Pittsburgh Symphony Orchestra

James Levine and Wiener Philharmoniker

George Szell and Cleveland Orchesetra

Bruno Walter and Columbia Symphony Orchestra

Günter Wand and NDR-Sinfonieorchester

Quarantine Playlist #1

Hope everyone is safe and sound. It’s been very challenging to find and maintain inspiration during the self-isolation. I am trying the best to keep myself inspired. I have been listening to orchestral/instrumental masterpieces and discovering repertoire unfamiliar to me. These are the albums that I have listened to for past two weeks. Unlike other playlist posts I’ve decided to add my experience to each album.

Unknown (to me) repertoire by students of J. S. Bach. Through this album I have been discovering so many hidden charms of during/post- Bach period. I found this album while specifically looking for recordings of the Müthel Sonata. I came across the …

Unknown (to me) repertoire by students of J. S. Bach. Through this album I have been discovering so many hidden charms of during/post- Bach period. I found this album while specifically looking for recordings of the Müthel Sonata. I came across the sheet music of it, and looked quite similar to the writing of C. P. E. Bach, so I was quite intrigued to find out how it sounds.

My teacher from undergraduate, Michel Debost had us learn obbligato flute parts from Bach Cantatas every week. The flute parts are both musically and technically demanding yet fulfilling. During the quarantine, I’ve decided to re-visit them and prac…

My teacher from undergraduate, Michel Debost had us learn obbligato flute parts from Bach Cantatas every week. The flute parts are both musically and technically demanding yet fulfilling. During the quarantine, I’ve decided to re-visit them and practice the ones I didn’t learn years ago. My goal is not to play these like a set of etudes. You will be surprised how difficult these obbligato parts are.

My curiosity from Bach’s cantatas led me here. There are lots of important flute passages in the Passions and the Mass. I find that these masterpieces are some of the greatest achievements in human history, and they never get old.After hearing the B…

My curiosity from Bach’s cantatas led me here. There are lots of important flute passages in the Passions and the Mass. I find that these masterpieces are some of the greatest achievements in human history, and they never get old.

After hearing the Berlin Philharmonic playing the St. Matthew Passion live twice, I started building obsession to the piece. To be honest with you, however, I can’t listen to the entire piece in one sitting. But that doesn’t mean this is not a masterpiece!

Berlin Philharmonic + Rattle has been my all-time favorite. Mitsuko Uchida happens to be one of my musical idols. … and here we go.

Berlin Philharmonic + Rattle has been my all-time favorite. Mitsuko Uchida happens to be one of my musical idols. … and here we go.

Many years ago, my Music Theory teachers from undergraduate recommended that I should listen to Helmut Lachenmann. I forgot about the suggestion for many years. Then I was organizing my CD collections the other day, and found this album. I definitel…

Many years ago, my Music Theory teachers from undergraduate recommended that I should listen to Helmut Lachenmann. I forgot about the suggestion for many years. Then I was organizing my CD collections the other day, and found this album. I definitely need a score to have a better understanding. I am not going to lie. I need some time to understand this better.

More specifically Stravinsky’s Petrouchka. I’ve played it in concerts, I’ve played it in auditions, I’ve heard it in concerts. But I couldn’t recall the last time I sat in front of a stereo and listened to this piece. Every time I listen to great pe…

More specifically Stravinsky’s Petrouchka. I’ve played it in concerts, I’ve played it in auditions, I’ve heard it in concerts. But I couldn’t recall the last time I sat in front of a stereo and listened to this piece. Every time I listen to great performances of Stravinsky’s music, I am always reminded why I want to be a musician. I want to tell stories, not just playing the notes.

Can this lead me into a Stravinsky pilgrimage?

Mostly this curiosity started from the famous flute solo of the 8th symphony. I find that it is rather challenging to perform the music of Dvorak. Is it because Dvorak’s music is from a culture that is quite unknown to me? There’s more to it. As a f…

Mostly this curiosity started from the famous flute solo of the 8th symphony. I find that it is rather challenging to perform the music of Dvorak. Is it because Dvorak’s music is from a culture that is quite unknown to me? There’s more to it. As a flutist, I have very limited experience of playing Dvorak’s music. So far I’ve played the Slavonic Dances, and various arrangements of the Violin Sonatine. So this curiosity starts from the well-known symphonies by Dvorak, and it will spread out to lesser known symphonies and chamber repertoire. What makes the music of Dvorak so special / unique / original?

Stay safe and be well.

Beomjae.

December of 2019 Playlist

In the midst of December, holidays are just around the corner. During this time of the year, I always get into an old habit which I obsessively listen to Romantic Art Songs, heavily focused on my all-time favourite composer … Franz Schubert.

Schubert: Die schöne MüllerinDietrich Fischer-Dieskau & Gerald Moore

Schubert: Die schöne Müllerin

Dietrich Fischer-Dieskau & Gerald Moore

Schubert: LiederIan Bostridge & Julius Drake

Schubert: Lieder

Ian Bostridge & Julius Drake

Schubert: Die schöne MüllerinMark Padmore & Paul Lewis

Schubert: Die schöne Müllerin

Mark Padmore & Paul Lewis

Shubert: WinterreiseMark Padmore & Paul Lewis

Shubert: Winterreise

Mark Padmore & Paul Lewis

Schubert: Die schöne Müllerin and 3 LiederFritz Wunderlich & Hubert Giesen

Schubert: Die schöne Müllerin and 3 Lieder

Fritz Wunderlich & Hubert Giesen

Schumann: Dichterliebe / Schubert & Beethoven LiederFritz Wunderlich & Hubert Giesen

Schumann: Dichterliebe / Schubert & Beethoven Lieder

Fritz Wunderlich & Hubert Giesen

Schubert: Im Frühling

Dietrich Fischer-Dieskau & Sviatoslav Richter