progressive rock

Music that Transports Me

Being a person who may not have played much music, I've always been an avid listener. In fact, I'm one of those people who needs to have music playing at all times. Even when I'm sleeping, I sometimes like to have music on in the background, in the hope that it will seep into my dreams. My obsession for music is somewhat eccentric that I don't find in many other people I know. But for me, music has a unique ability to transport me to another world.

Spring is almost here, and I have a few go-to songs that I always listen to around this time of year. I used to think I liked winter, but over the past few years, I've come to realize that I don't enjoy it nearly as much as I thought. While I used to enjoy the crisp air and other winter sensations, I'm much more excited about the arrival of spring these days. February is always a tough month for me. Even though it's the shortest month of the year, it always seems to drag on forever. It feels like I'm stuck in a dark tunnel, just waiting for a light to appear at the end. To help me through this tough time, I rely on music that reminds me of spring.

One of my favorite pieces of music to listen to when I want to feel like it's spring is Schubert's “Im Frühling.” The title itself suggests that the piece is about spring, and it takes me back to the early spring of 2010, when all my worries and concerns were limited to life on campus. I first heard this piece in a music theory class led by a passionate teacher, who helped me appreciate every word and chord. As I listened to the music, I looked outside and saw the peaceful grass and trees in Tappan Square. I felt that happiness was within reach.

The same piece also evokes memories of a more recent phase of my life when I used to regularly take the Brooklyn-bound morning subway D line. As the train passed the Manhattan Bridge, the surrounding was serene and empty, and I savored watching the sunrise. Whenever I listen to “Im Frühling," it takes me back to these specific instances in my life, and I feel a sense of tranquility and attachment to the spring season.

One album that holds a special place in my heart is “Close to the Edge” by Yes. It's my favorite album of all time, and if I were stranded on a deserted island and could only bring one album, it would be this one. Although I stopped listening to it for a while because I was afraid it might lose its special quality, I recently found a used LP in Seattle and am now enjoying it again with a fresh perspective. I first discovered this album when some friends and I borrowed our music theory teacher's car to visit a friend in the hospital on a beautiful, sunny day in May 2012. We were curious about what our teacher listened to when he was in the car, so we played the audio system and discovered that he had been listening to “Close to the Edge.” At the time, all my worries and concerns were confined to college, and I had mixed feelings about the future since it was only a couple of weeks before graduation. I just wanted to savor the moment before it was gone.

Starting from the latter part of 2012 and throughout 2013, I became heavily invested in the realm of progressive rock, yet struggled to discover an album that surpassed my fondness for "Close to the Edge." This was during my time in New York City, where I was freshly situated and eager for future prospects. Wherever I went in the city - whether it was a leisurely stroll around the block, riding the bus to school, commuting via subway to the Metropolitan Museum, running errands to an art store in SoHo, or even when simply socializing with my roommate over drinks - this album accompanied me.

For me, music is much more than just a series of sounds and harmonies. It's a tool I use to temporarily forget about my worries and concerns, to revisit old memories, and to find peace and happiness.

How I Got Myself Into Listening To Prog Rock

It was around April / May of 2012

I was ready to graduate from college, and to leave Oberlin. It really was sweet and surreal four years, but I was ready to face new adventures in a new city. Even though it was 4 years of a wonderful life, I was having a very tough time during the last semester at Oberlin. Actually not just myself, my friends, Luke and Tom, were also having their own tough time. While we were individually dealing with our own issues in life, we got together at night to talk about music, school life, politics (newspapers were covered by Occupy Wall Street), arts, post-Oberlin life, and whatever you can possibly imagine. Conveniently we all lived together, so we got together in the living room every night. Talking to each other about every possible thing you can imagine worked as a group therapy in a friendly environment – at least for me. I got through the tough time of my life, thankfully without causing any trouble.

We were always sitting in the living room talking, and listening to music - different topics and different music every night (during this time they got me listening to recordings of Klaus Tennstedt conducting the Mahler symphonies.) We only listened to music that we thought the greatest. I still consider some of what we listened to that year the best, or at least they were the best for us at the moment. (Link: in the bottom of the post) We needed something enlightening and different every night.

Mahler is great without a doubt; however, one can't listen to Mahler every day and night especially when one is personally going through tough time in life - at least for me. So I certainly needed something new to listen to.


It was May 19, 2012.

Luke, Tom and I borrowed a car from our music theory teacher so we could visit our friend in hospital just outside of Oberlin. On our way back to "Obieland" we were curious about the kind of music that our theory teacher listens to. So we got the disc out from the car stereo. It was the legendary "Close to the Edge" by Yes (1972). I didn't know anything about the album, or the group. We listened to the album, and we loved it.

- an interview with Jon Anderson, the lyricist and singer of Yes, on Close to the Edge:

“It’s all metaphors. That’s when I went through that very strong period of just sketching and writing whatever I sang as being a state of consciousness. (...) it can rearrange your physical self to a higher state of mind. (...) Close to the Edge, round by the corner, I was reading Siddhartha. So everything means something to me. And people can say what they want — I don’t care — because I know what I was saying was what I was thinking, what I was dreaming.” 

It's vague, so vague. But one clear thing is that we were looking for inspiration, and an enlightening moment in music and life. We needed something which possibly can help us to toughen up and to deal with the life. Close to the Edge, a product of understanding one's higher self and consciousness, came into our lives. I didn't know anything about the story behind this album. I didn't know what progressive rock means, and I still don't know what it really means. But I liked what I listened to it, and I still love listening. I started looking up albums by Yes, or by other groups in the same time period. I know what I like, and I still like Close to the Edge the most. 

To be honest, I don't know if this album and/or music of this kind have any significance in Luke's or Tom's life; however, it certainly helped me to calm down and focus on myself. My love for listening to this album and music of this kind is still valid, and that never-ending love truly peaked in the spring of 2013 – it seems like I go through a hard time every spring. Anyway, I was able to get through the tough spring of 2012 and never stopped listening to this album. This album means to me more as a crucial part of my life searching for the higher self than just an album.

Playlist of Spring 2012

https://www.beomjaekim.com/beomblog/2017/7/18/playlist-of-spring-2012

Album Cover

Album Cover

photo from May 19, 2012

photo from May 19, 2012